Tuesday, August 22, 2017

IN PHOTOS: A Burial Place Like No Other in Nagcarlan

THE PHILIPPINES is a country of historical treasures—century old churches, ancestral houses, olden town centers and cultural establishments, among many others.

In Nagarcalan, Laguna, a prized historical landmark lies under the ground, silently and solemnly for it is a resting place for the dead.

Ordered built in 1845 by Franciscan Fr. Vicente Velloc, the Nagcarlan Undergound Cemetery is an octagonal enclave of stone and brick walls with wrought iron windows. A total of 276 are buried, of which 36 are located in an underground crypt.

Traveling Journo Ph saw firsthand this unique structure that has once been the chosen burial place of Nagcarlan’s privileged people. Today, it serves as a tourist destination for visitors of the hilly town south of Metro Manila.

Look at the photos of and know more about the underground cemetery below: 

The Nagcarlan Underground Cemetery was declared a National Historical Landmark in 1981 by the National Historical Commission of the Philippines (NHCP). Last year, NHCP opened a museum where visitors can familiarize themselves with the underground cemetery before touring the grounds and the structure. 
Resident curator Cecilla Sumague, who is also a Nagcarlan local, is present to talk about the historical landmark including its material components, characteristics, conservation and heritage to Nagcarlan
The materials used in the making of the burial place range from different kinds of rocks to wood to tiles.
The massive arched gate and brick walkway lead to the burial ground's chapel. The gate and the chapel are connected by a concrete wall of bricks and stones that form an octagon. Wrought irons and ornamental tracery work adorn these walls.   
The chapel's curvilinear ceiling is planked by polychrome wood while its walls are embellished with frescoes and its floor is combined with red and patterned tiles.
The chapel served as the last station of the funeral rites before the dead is entombed. It was in 1981 when a Nagcarlan resident was buried here.  
To the right of the chapel is the crypt's entrance. Go down and be amazed by the vaulted ceilings and pillars. Without the installed lights, only two grilled windows serve as the source of natural light from the world above. 
Sure is creepy but the crypt, with an altar as the focal point, once served as hiding place for Filipino revolutionaries during the Spanish occupation, and then again for Filipino guerillas during World War II against Japanese forces. So prized was this place that only those considered "elite" could earn a niche in this underground cemetery. 
Above ground, there are niches, 120 on both sides, where more famous families from the town has been buried during the 19th century. 
Indeed, the Nagcarlan Underground Cemetery is a remarkable landmark born out of faith, enriched by history, and now appreciated for its curiosity and beauty combined. 
Traveling Journo Ph recommends a weekend getaway to Nagcarlan for an immersive lesson on the culture of the people and heritage of the place. After all the town is located in the province of Laguna, which lies at the outskirts of Southern Metro Manila.

(TEXT AND PHOTOS ©EUDENVALDEZ)

SOURCE: www.nhcp.gov.ph

Thursday, August 17, 2017

How About the Chance to Win a Lifetime Fuel Supply?

SEAOIL president for retail business and CFO Mark Yu with SEAOIL senior manager for marketing communications Rey Jimenez at the media launch of SEAOIL's “Lifetime Free Gas, Oh My Gas!” promo held at the The Wellington Centre 32nd & 4th, Bonifacio Global City

FUEL prices are the most volatile in the market, increasing every now and then, hurting motorists pockets. So what if four motorists get the chance to win lifestyle supply of fuels?

SEAOIL is making this come true with the first raffle promo of its kind in the Philippines.

Press release of this amazing news reads:

“We have always stood by the quality and performance of SEAOIL fuels and this is our way of thanking our loyal customers, whom we call SEAOIL Believers, for the trust they have placed in us,” said SEAOIL CEO Glenn Yu.

Winners of the “Lifetime Free Gas, Oh My Gas!” promo, which will run from August 14 to November 14, 2017 will be announced during three monthly raffle draws on September 15,October 16, and November 28. They will get P5,000 worth of SEAOIL gift certificates per month during their actual lifespan.

Aside from the four main prizes of lifetime SEAOIL fuels, there will be a total of 30 winners of P10,000 pesos worth of SEAOIL gift cards, as well as over 30,000 instant prizes including P10, P20, P100, and P500 discounts on SEAOIL fuels and P100 on SEAOIL Lubricants through “peel-off” cards.

To get a raffle entry which includes an instant prize card, a customer must submit receipts totaling P500 worth of Extreme 97, Extreme 95, Extreme U, Extreme Diesel fuels and/or SEAOIL Lubricants to any SEAOIL station nationwide.

“Lifetime Free Gas, Oh My Gas!” promo follows through on the company’s recent product quality campaign which highlights SEAOIL fuel’s top three qualities. Firstly, SEAOIL’s base fuels are imported from advanced refineries in Japan, South Korea, and Singapore, ensuring world-class quality. Secondly, SEAOIL fuels are monitored and tested at least three times daily at the retail stations for consistency. Thirdly, SEAOIL fuels are the only ones in the Philippines that are powered with STP additives, known for superior engine clean-up and keep-clean properties resulting in improved performance.

“This is definitely an exciting time for us as we gear and pump up all of our 400 stations for this,” said Yu. “SEAOIL Believers all over the country will have a chance to be part of this nationwide celebration.”

Earlier in the year, the company launched its biggest station to date, the two-hectare SEAOIL-CityMall SCTEX mega station, a P600-million collaboration between SEAOIL and CityMall Commercial Centers Inc. Located near the Concepcion Exit in Tarlac, the SEAOIL mega station is midway between Baguio and Manila, making it the perfect stopover for travelers from northern Luzon provinces.


Throughout the years, SEAOIL has pioneered innovative products such as alternative fuels like bioethanol gasoline and biodiesel as well as services and programs including its award-winning franchise package as part of its commitment to excellence and service to the Filipino people.

SEAOIL senior manager for marketing communications Rey Jimenez (4th from left) and SEAOIL president for retail business and CFO Mark Yu (5th from left) with SEAOIL brand ambassadors and racers (L-R) Ralph Tan, Jeff Borja, Diane Borja, Gabe Tayao, and Atoy Llave 
(TEXT AND PHOTOS RELEASED BY SEAOIL)

Tuesday, August 15, 2017

‘Respeto’ wins respect, awards at Cinemalaya 2017

'Respeto' director Treb Monteras 2nd receive the Best Film trophy along with the film's cast and crew.
(PHOTOS COURTESY OF CCP/KIKO CABUENA)

AFTER receiving rave reviews from Cinemalaya audiences—who are film aficionados and festival newbies alike—“Respeto” by Alberto “Treb” Monteras 2nd also won the coveted Best Film in this year’s edition of the independent film festival.

An exploration of the Philippine hip-hop underground world where a young aspiring rapper and a Martial Law poet cross paths, “Respeto” emerged as the biggest winner at the awards night held on August 13 at the Cultural Center of the Philippines (CCP) Main Theater. Besides being recognized as Best Film, it also won Best Supporting Actor for Dido de la Paz, Best Sound for Corinne De San Jose, Best Editing for Lawrence Ang, the 2017 NETPAC (Network for the Promotion of Asia Pacific Cinema) Award and the Audience Choice Award.

As additional award, the film’s Ike Avella shared Best Cinematography with Baconaua’s TM Malones.

Monteras’ directorial debut at Cinemalaya bested eight other films in the Full Length Feature category, and won P350,000 cash award and the Cinemalaya Balanghai trophy.

Cinemalaya 2017 winners with CCP president Nick Lizaso (standing, third from left) and Cinemalaya officials. 
Acting awardees (from left) Dido de la Paz (Best Supporting Actor), Angeli Bayani (Best Actress), Noel Comia Jr. (Best Actor) and Yayo Aguila (Best Supporting Actress). 
Below is the full list of winners and citations:

FEATURE FILMS
1. The AUDIENCE CHOICE AWARD for the Full-Length Feature Film goes to: “RESPETO” by ALBERTO MONTERAS II

2. For the impressive evocation of the din and blare of the underside of Manila, and the effective conjuring of the roar and tumult of the hip-hop underworld, BEST SOUND is awarded to:

CORINNE DE SAN JOSE for “RESPETO”

3. For the highly simple but very stirring musical evocation of a boy’s loneliness  in the aftermath of his mother’s death, and of his touching attempts at connecting with his estranged prizefighter-father, BEST ORIGINAL MUSIC SCORE is awarded to:

PEPE MANIKAN for “KIKO BOKSINGERO”

4. For the effective assembly and selection of images and sequences that all together credibly depict a poor but determined teenager’s drive to make it as a hip-hop minstrel despite the poverty, squalor and violence dominating the underbelly of Manila, BEST EDITING is awarded to:

LAWRENCE ANG for “RESPETO”

5. For their powerful application of light and shadow and effective rendering of shots and images, which all together portray, the plight of communities and their drive to rise above their misery, BEST CINEMATOGRAPHY is awarded to:

TM MALONES for “BACONAUA”

and

IKE AVELLANA for “RESPETO”

6. For the highly relevant subject matter and the psycho-social unraveling from the trauma of abuse, BEST SCREENPLAY is awarded to:

ZIG DULAY for “BAGAHE”

7. For her quiet and endearing portrayal of a nanny seeking to relieve the loneliness of a boy who has lost his mother and is trying to endear himself to his estranged father, BEST PERFORMANCE OF A SUPPORTING ACTRESS is awarded to: 

YAYO AGUILA for “KIKO BOKSINGERO”

8. For his powerful portrayal of an old man haunted by the demons of his past and compelled to adjust to the present, the BEST PERFORMANCE OF A SUPPORTING ACTOR is awarded to: 

DIDO DE LA PAZ for “RESPETO”

9. For the effective summoning of the resources of cinema to depict a sleepy fishing village reeling from the auguries of superstition while confronting the ugly specter of crime and violence, BEST DIRECTION is awarded to: 

JOSEPH ISRAEL LABAN for “BACONAUA”

10. For her convincing portrayal of an overseas Filipino worker subjected to state criminal and psycho-social investigation, media sensationalism, and political opportunism, which merely worsen the trauma of her abuse, BEST PERFORMANCE OF AN ACTRESS is awarded to:

ANGELI BAYANI for “BAGAHE”

11. For his charming and heartrending performance of a boy who misses his late mother and tries to learn boxing to connect with his estranged prizefighter-father, BEST PERFORMANCE OF AN ACTOR is awarded to:

NOEL COMIA JR. for “KIKO BOKSINGERO”

12. For its very engaging depiction of a small fishing village struggling to achieve community and continuity in the face of superstition, crime and violence, the SPECIAL JURY PRIZE is awarded to:

“BACONAUA” by Joseph Israel Laban

13. For tackling the complex issue of human rights violation across two generations, musically connected by the vibrant and socially-conscious use of language, the 2017 NETPAC Award for the Full-Length Category goes to:  “RESPETO” by ALBERTO MONTERAS II

14. For its infectious, propulsive energy, its highly convincing cast of characters and very effective ensemble acting, its breathtaking, nearly epic sweep of the underside of Manila, its expert application of the resources of cinema to depict a teenager’s drive to rise above poverty and violence,   its cogent melding of contemporary rap and traditional oral literature, and its sheer humanity and coruscating poetry, BEST FILM is awarded to:

“RESPETO” by ALBERTO MONTERAS II

SHORT FILMS
1. The AUDIENCE CHOICE AWARD for the Cinemalaya Short-Feature Film goes to: 

“NAKAUWI NA” by MARVIN CABANGUNAY and JAYNUS OLAIVAR

2. For its poignant tale of a girl growing up in an island, subjected to the joys and troubles of childhood, and how she is made to cope with all of this, the BEST SCREENPLAY is awarded to:

DUWI MONTEAGUDO for “BAWOD”

3. For effectively employing the technical and creative resources of film language in its poignant portrayal of a deep-sea fisherman who finally embraced the bosom of the ocean, BEST DIRECTION is awarded to:

E  DEL MUNDO for “MANONG NG PA-ALING”

4. For its witty take on an old couple growing apart, and how they try to rekindle the passion, revealing how despite man’s increasing conquest of outer space, there will always be the universal need for human connection, the SPECIAL JURY PRIZE is awarded to:

“FATIMA MARIE TORRES AND THE INVASION OF SPACE SHUTTLE PINAS 25” by CARLO FRANCISCO MANATAD

5. For Its Creative Approach Of Using A Technology In Delivering A Wider Perspective On The Issues Of Diaspora, Love And Distance, the 2017 NETPAC AWARD goes to:

“ALIENS ATA” by KARL GLENN BARIT

6. For its powerful evocation of the storm-tossed island and how it tries to heal from the afflictions of nature, as reflected poignantly by the characters in trying to rebuild and heal the wounds of their coming of age, the BEST SHORT FEATURE FILM is awarded to:

“HILOM” by P.R. PATINDOL

Members of the Main Competition Jury were Padmashri Dr. Girish Kasaravalli, Freddie Wong, Sheron Dayoc, Lee Briones-Meily and Joselito “Lito” Zulueta. In the NETPAC Jury were Ismail Basbeth, Tsengel Davaasambuu and Ricardo Lee.


Cinemalaya is a project of the Cinemalaya Foundation, the Cultural Center of the Philippines in partnership with Ayala Malls Cinemas.  Established in 2005, Cinemalaya is an all-digital film festival and competition that aims to discover, encourage and honor cinematic works of Filipino filmmakers.

(RELEASED BY CCP)

Thursday, August 10, 2017

REVIEW: ‘Requited’ Will Test Your Endurance Watching

Lead cast Jake Cuenca and Anna Luna joins director Nerissa Picadizo at 'Requited's' gala premiere on August 8. 

TO be fair, “Requited”—a full-length entry at the Cinemalaya Independent Film Festival 2017—had potential. Its theme was never before seen at the Cultural Center of the Philippines main theater: cycling and then finding love along the way.


Directed, written and produced by Nerissa Picadizo, “Requited” stars actor Jake Cuena alongside newcomer Anna Luna. Cuenca portrays Matt, a cyclist on a journey from Manila to Mt. Pinatubo via Tarlac in what appeared to be his epilogue to life. He is, after all, suffering from Parkinson’s Disease. Then comes Luna as Sandy, his best friend who joins him along the way.

They had good times on the road, and they had bad times—mostly bad times. Because despite their obvious feelings, they can’t love each other. They have too many complications.

However, what would have been an interesting formula turned out to be a dragging experience. And worse, it was not because of its narrative but because of its flaws.

Although this author has not seen foreign cycling/biking films for comparison, "Requited” still felt as if there was too much cycling in it. In the beginning, it was good to see Cuenca in action for he was a natural. Even in pain, he was a natural. Later on, it got boring even when Matt and Sandy entered the countryside where the surrounding was supposed to be scenic.

The fault here lies in the coloring. Viewers would have appreciated the cinematography better if it wasn’t too saturated. (I don’t know why but indie filmmakers these days always filter their films as if it was Instagram.)

There’s also an issue with the audio. Dialogues, particularly Luna’s high-pitched voice, and noises, like the pedaling, were too loud to the point of distraction.

And perhaps, the film was dragging because it took so long to build up—as long as the ride from Manila to Mt. Pinatubo. It has become a test of endurance watching. 

Is it worth finishing? Thankfully yes because the last 10 minutes or so is when your emotions will be stirred. Prepare yourself. 

If there’s one thing commendable about the film, it’s the perseverance of filmmaker Picadizo who finally debuted at this year’s Cinemalaya. She has over a decade of extensive experience working in various film, television, events and theater productions. Her works include “Stressful X,” “Astray,” “The Solar Champion,” and “Mga Anino sa Tanghaling Tapat.” 

At her film’s gala screening on Tuesday, August 8, she told the CCP audience that “Requited” was more than just a passion project. It was a test of faith because it took her three years—on and off—to finish.


Nevertheless, she persevered and moreover, as writer, director and producer all at once. For this, we give her credit. 

Jake Cuenca was a fit to his character, Matt
The beautiful Anna Luna who plays Sandy, Matt's love interest
The film's cast, production crew and sponsors
Festival goers linger on after the screening
RELATED STORIES:

Tuesday, August 8, 2017

REVIEW: ‘Respeto’ Deserves Every Viewer's Respect

The film's director receiving some rave reactions from viewers after the gala screening.

DIRECTED by veteran music video director Treb Monteras 2nd, scored by South Border frontman Jay Durias, and topbilled by today’s most in-demand hip-hop artist Abra.

One would easily think that “Respeto” is film about music, particularly the fliptop scene and how the underdog rapper makes his way to the top of the underground world—as is said in its synopsis.

But watching it proved otherwise because all those were secondary to the film’s bigger picture, deeper message and powerful portrayals.

This was what Monteras succeeded doing in his first-ever movie, no less than a full-length entry at the Cinemalaya Philippine Independent Film Festival 2017. It held its gala screening on August 6 at the main theater of the Cultural Center of the Philippines (CCP), home of Cinemalaya.

In “Respeto,” Hendrix (Abra) is an aspiring rapper from Pandacan, Manila but is bogged down by a series of unfortunate events around him. He is a product of a shantytown on the verge of demolition, an orphan stuck in a drug-dealing home, and a boy just always finds himself in trouble.

He seeks to find salvation, or it can simply be recognition, from the underground hip-hop world. But even there, he is still impeded by Breezy G (Loonie), considered the best rapper in the hood.

But he finds hope in Doc (Dido de la Paz), a retired doctor who owns a dusty and crumbling bookshop. Doc is also a poet who used to pen verses about love and country. They form a love and hate relationship as the young man tries to learn a thing or two from a grumpy old man with serious Balagtasan skills.

In one scene, Hendrix and Doc confront one another, throwing arguments that sounded like verses and felt like daggers.

Hendrix also has two of the most loyal friends who are always rooting for him, always following him, almost revering him. They are portrayed by Chai Fonacier and Sylvester who added depth to the films through their characters.

Yet as the film unfolds, so do tensions and truths and at the center of it all is Hendrix. Slowly, he sheds all his arrogance until nothing is left but vulnerability. For his major acting debut, Abra did a pretty awesome job.

But what’s really striking about the film is how it managed to sew the past’s Martial Law era and the present’s war on drugs into the lives of Doc and Hendrix who are witnesses to the two tumultuous times.

And at the end, history repeats itself because it really does. Not convinced? Better see “Respeto."

Director Treb Monteras 2nd 
The film's lead actor and famous rapper Abra in a photo op with veteran and celebrated scriptwriter Ricky Lee. 
South Border frontman Jay Durias lends his talent to film as its musical scorer.
Fliptop legend Loonie is one of the film's antagonists. 
(TEXT AND PHOTOS ©EUDENVALDEZ)

RELATED STORIES:

Wednesday, August 2, 2017

LOOK: 12 Short Films to Compete at Cinemalaya 2017

IT’S an exciting time for Pelikulang Pilipino this August as a wealth of local films opens in nationwide cinemas thanks to upcoming festivals, one of which is the Cinemalaya Independent Film Festival.

Themed “See the Big Picture,” Cinemalaya XIII is definitely going big this year with nine full-length entries and, for the first time in its history, 12 short films from the original nine entries in previous editions. These will add to the pool of films it has supported, co-produced, promoted and showcased: a total of 127 full feature independent films and 106 short films so far.

As a look back, this author remembers 2015 when Cinemalaya showed only short films to restructure its full-length competition. In the past, filmmakers and producers competed in New Breed and Director’s Cut categories. After that year, the two categories were combined into one. However, many were surprised by the move and were disappointed to catch only short films.

I admit I felt the same in the beginning but toward the end, that Cinemalaya edition made me appreciate short films because these can be as complex, technical, beautiful and powerful just like full-length films. They too have a message to tell.

As such, let’s take a look at the competing short films at Cinemalaya 2017:

Aliens Ata (Maybe Aliens)

In the absence of their OFW mother, two young brothers have to deal with the sudden loss of their father. Directed by Glenn Barit.

Bawod (Bent)

Stressing over whether she would be able to perform in the school’s annual Talent Show because her family could not afford to rent a traditional costume, twelve-year-old Thirdy starts having visions of a mysterious man. Everything seems to unravel as village problems and family secrets finally collide. Directed by TM Malones.

Fatima Marie Torres and the Invasion of Space Shuttle Pinas 25

Set during the launch of the first space shuttle of the Philippines, an ordinary old couple living in the suburbs attempts to go about their life during this strange day. Directed by Carlo Francisco Manatad.

Hilom (Still)

The film follows the journey of twin brothers, Andres and Gael, living in a fishing village ravaged by strong typhoon, as they find healing against the harsh landscape of an island. Directed P.R. Patindol.

Islabodan (Free Men)

The film tells the story of a lone, apathetic plastic bottle collector named Caloy, who gets caught in the middle of two warring gangs. That incident changes his disposition in life forever. Directed Juan Carlo Tarobal.

Juana and the Sacred Shores

The beautiful maiden Juana lives peacefully in an island until she realizes that she is alone. To satisfy her longing, she dances and prays for a companion. Suddenly, a man arrives. Directed by Antonne Santiago.

Lola Loleng (Grandma Loleng)

A young woman returns to her hometown to meet her Grandmother Loleng who suffers from dementia. Together, they will unearth the old lady’s innermost secrets and wartime experiences. Directed by Che Tagyamon.

Manong ng Pa-Aling (Man of Pa-Aling)

The film revolves around the incredible story of man and his natural relationship with the ocean. Because of his old age and physical frailty, Manong decides what he will do next after retiring from the only profession he knows, a fisherman. Directed by E Del Mundo.

Maria

Silence pierced the chaos inside Maria’s home when she confirms that she is pregnant with her 22nd child. Conflict ensues when her 14-year-old daughter is suspected to be pregnant, which angers the firstborn of the family. Amidst the chaos, Maria's water suddenly breaks. Directed JP Habac.

Nakauwi Na (Home)

Amidst the grief, anger and injustice, Mang Jerry works frantically to find enough money to get his son who is a victim of extra judicial killings out of the funeral home. Directed by Marvin Cabangunay and Jaynus Olaivar.

Nakaw

The film tells the story of Bateng, a boy who triggered a series of life-changing events when he stole an old woman’s purse. Directed by Arvin Belarmino and Noel Escondo.

Sorry for the Inconvenience


After he was bullied one night, Joshua decided to take matters into his own hands. But things don't go as planned, so he is left with no choice but to seek help from his policeman father. Directed by Carl Adrian Echavez. 

(SYNOPSIS AND PHOTOS COURTESY OF CCP)

Powered by Blogger.